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<table border="0" cellpadding="3" cellspacing="1" width="100%" class="forumline"> <tr> <th class="thCornerL" width="22%" height="26">Author</th> <th class="thCornerR">Message</th> </tr> <tr> <td width="22%" align="left" valign="top" class="row1"><span class="name"><a name=""></a><b>ekcjkg692t</b></span></td> <td class="row1" height="28" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="0"> <tr> <td width="100%"><img src="http://picsrv.fora.pl/subSilver/images/icon_minipost.gif" width="12" height="9" alt="Post" title="Post" border="0" /><span class="postdetails">Posted: Wed 20:52, 23 Oct 2013<span class="gen"> </span> Post subject: moncler outlet Why I dislike the term Royalty Free</span></td> </tr> <tr> <td colspan="2"><hr /></td> </tr> <tr> <td colspan="2"><span class="postbody">Category: <br />John Bickerton is the Creative Director for UniqueTracks.com, a royalty free music provider offering classical, background and production music , royalty free. <br />Keywords: , , , , , <br />Why I dislike the term 'Royalty Free Music'Article Summary: If you've ever had the experience of licensing a popular music track, you know just how hard and expensive it can be to finally get the clearances necessary to actually use the track. <br />(c) [url=http://www.osterblade.com]moncler outlet[/url] <br />**NOTE** - has claimed original rights on the article "Why I dislike the term [url=http://www.rtnagel.com/airjordan.php]nike air jordan pas cher[/url] 'Royalty Free Music'" ... if there is a dispute on the originality of this article ... please contact us via our and supply our staff with the appropriate details of dispute (ie ). <br />The three most popular phrases used to describe the offerings of music production libraries like UniqueTracks are: <br />-royalty free music <br />-stock music <br />-buy-out music <br />Of the three, the most accurate, to me, is stock music because it implies a collection of media that is immediately available to be used in production creation. <br />However, the phrase most often used to describe our services is royalty free music. The majority [url=http://xx41.dfedu.com/old/guestbook.asp]mulberry o[/url] of new visitors to our web site reach us through some type of search that includes the term "royalty-free". Unfortunately this term is fraught with misconceptions. <br />This is mainly because royalty-free music contains the word free. I get a lot of inquiries that go something like this: <br />"by royalty free music, you mean 'free' music, don't you?" <br />"do you know where I can get some 'free' royalty-free music?" <br />"royalty free music means 'copyright free' doesn't it?" <br />The three questions above [url=http://www.jeremyparendt.com/Barbour-Paris.php]barbour france paris[/url] highlight common misconceptions about what production music libraries do. <br />Production Music Libraries <br />Companies like UniqueTracks are in business to provide a fast and economical way for you to acquire the legal rights you need to use music as soundtrack in your own work. The simple online purchase of a music track immediately grants you the Synchronization and Master Use rights that you need to legally use the track in your production (what are master use and sync licenses). <br />Music licensing is really our main [url=http://www.sandvikfw.net/shopuk.php]hollister outlet sale[/url] product. For instance, when you purchase a CD or MP3 track from UniqueTracks, you are paying for a license that grants you incredibly wide usage rights. This license comes directly from us, the publisher and owner of the recorded master tracks (some very large production music libraries are [url=http://www.rtnagel.com/louboutin.php]louboutin pas cher[/url] actually more like "brokers" for many different music publishers). <br />Public Performances and Performance Rights <br />When their music is used in a soundtrack for a television program, even businesses that advertise as "royalty free" music companies still require producers to file cue sheets with performance rights organizations like ASCAP, BMI and PRS so their composers and publishers can receive performance royalties (payments) from the broadcast. <br />How is this royalty free? Good question. The truth is, the music isn't royalty free for television broadcast use. This is usually explained in the company's license agreement (re: public performances) but it adds to the confusion surrounding this term. <br />The following phrases are, to me, more accurate [url=http://www.gotprintsigns.com/abercrombiepascher/‎]abercrombie soldes[/url] descriptions of what a production music library really offers: <br />-One-Stop Music Licensing <br />-Quick and Easy Music Licensing <br />-Budget Music Licensing. <br />-Music Licensing with Wide Usage Rights <br />One-Stop Music Licensing <br />If you've ever had the experience of licensing a popular music track, you know just how hard and expensive it can be to finally get the clearances necessary to actually use the track. You first have to locate and then negotiate Master Use rights from the record company that owns the recorded master (no easy thing for some tunes). You also have to locate and pay for a synchronization license from the music's publisher. <br />Quick and Easy Music Licensing <br />Production Music Libraries exist to simplify the process. You can obtain Master Use and Sync licenses with the simple click of a mouse. <br />Budget Music Licensing <br />Prices are targeted at smaller production companies like independent film producers, digital [url=http://www.thehygienerevolution.com/hollister.php]hollister[/url] video and multimedia producers. Production music libraries fill the niche for media producers who want successful soundtracks but don't have million dollar budgets to acquire the latest pop tracks. <br />Music Licensing with wide usage rights <br />Once licensed, you can use the music in perpetuity with a worldwide territory right letting you sell your production across the globe with no further fees due. <br />I've also found that many people's perception of anything "royalty free" is of something of limited or even bad quality. <br />Admittedly, the royalty free music of the past did have a one-dimensional, cheesy quality to it. It mainly served the corporate video market of the late 1980s through the 1990s. The music was created mainly on synthesizers with a very upbeat feel and was incorporated into in-house presentations meant to inspire employees to better performance, to meet sales goals, etc. The musical arrangements had a lot of glitz and big electronic effects and were anything but subtle. This style really has no use for today's media producers except [url=http://www.xedele.com/viewthread.php?tid=23317&extra=]barbour A Colorful World - written by bety smith[/url] maybe in some odd kitschy way. <br />Until recently I used to call this style the "Weather Channel Sound" because it reminded me of the musical accompaniment used by the 24-hour cable weather channel. Their music soundtracks have greatly improved though in the past few years. I've even heard [url=http://www.ktbruce.co.uk/hollisteroutlet.php]hollister outlet[/url] Miles Davis accompanying my local forecast. <br /> <br />Sadly I still do hear this overly glitzy style of [url=http://www.kpyz.syn.cn/E_GuestBook.asp]mulberry s[/url] music in a lot of [url=http://www.rtnagel.com/airjordan.php]jordan pas cher[/url] telephone on-hold message programming. Is this supposed to make me feel good while on hold? <br />So why do we use the phrase royalty free music on the UniqueTracks web site? The main reason is that it's still the most searched for phrase for our type of service. And the term does apply to some of the usage rights granted under our license agreement. <br />Our music is royalty free because in all cases except TV broadcast, you won't [url=http://www.osterblade.com]moncler sito ufficiale[/url] pay any further license fees once you obtain the initial license. You can sell a product, like a DVD, that incorporates our music in its soundtrack without any further financial obligation whether you sell 1 copy or 100,000 copies. <br />The main benefit to [url=http://www.thehygienerevolution.com/hollister.php]hollister france[/url] licensing music this way is that you have covered yourself legally - you have licensed the music and can now legally use it as part of your own work. Remember, when creating any type of media production - if you don't create the content personally or in-house, you have to license the content to be able to incorporate it into your project. This is true of photos, video footage, music or other audio. If you haven't created it in-house, you need some type of license or release to use it in your work. <br />Music production libraries offer fast and affordable one-stop licensing letting you get on the the creative aspects of media production. <br />John [url=http://www.jeremyparendt.com/Barbour-Paris.php]barbour pas cher soldes[/url] Bickerton Article Feed : <br />References: <br />About the Author: <br />Article Source: uPublish.info</span></td> </tr> </table></td> </tr> <tr> <td colspan="2" height="1" class="spaceRow"><img src="http://picsrv.fora.pl/subSilver/images/spacer.gif" alt="" width="1" height="1" /></td> </tr> </table>
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